Showing posts with label duchess theatre. Show all posts
Showing posts with label duchess theatre. Show all posts

Tuesday, 31 May 2011

80. Butley - Duchess Theatre

Oh my, I can only really start this write up by squealing gloriously over the set – so many books, it made my heart want to burst with joy. I also really adored the “safety curtain” the scribbled title on lined paper was a lovely touch. However, the sheer force of literature upon the stage was only part of the reason I ended up loving Butley, and the complexity of the relationships on the stage proved the greater target for my adoration.


Monday, 16 May 2011

70. Ecstasy - Duchess Theatre

It’s taken me a little while to pick apart my feelings about this one, as I found it both an incredibly real, powerful performance and at the same time entirely emotionally ineffective for me. Which, I am going to point out right away isn’t the same thing as thinking it was bad – the production was clearly superb. It mostly just means that my reaction was complicated.


Tuesday, 15 March 2011

34. Sign of the Times - Duchess Theatre

There’s something slightly guilty about writing about a play that has already closed ignominiously, especially if it’s one that you didn’t particularly enjoy. Though I didn’t particularly dislike it either. In fact, the problem was really that it left me not feeling or thinking much of anything and has already sunk into the annals of the barely remembered (luckily I’ve at least been managing to keep notes about all the shows I’m seeing, even if keeping up with the diaries was a massive failure – as otherwise I would be glaring at a blank screen right now with no idea what to type).


Wednesday, 9 February 2011

18. Love Story - Duchess Theatre

This was another repeat visit for me as I couldn’t bare not to see it again before it’s far too premature closure, especially given that it ended up being my third favourite musical of last year – I saw the first preview with a friend last year based purely on the fact that we had a gap in our schedule and there was a pleasing symmetry to doing the first performance of this against the last performance of Design for Living on the same day. I also had vague memories of Michael Xavier being rather good in Into The Woods...